In class, we talked about superflat theory and the superflat artist, Takashi Murakami.
Turns out he did the cover art for Kanye West’s new single, “Stronger”!
Check out the news link:
How cool is that cover?!
In class, we talked about superflat theory and the superflat artist, Takashi Murakami.
Turns out he did the cover art for Kanye West’s new single, “Stronger”!
Check out the news link:
How cool is that cover?!
Emi’s second talk here entitled “Intersex at the Intersection of Queer theory and Disability theory” introduced me to a number of new ideas, as I previously was pretty unaware of much about queer theory, disability theory or intersex. One of the things that really surprised me was her talk of the different biases that the medical profession has in treating certain “abnormalities”–to the point of arbitrarily setting down rules to perpetuate other arbitrary societal norms.
Midwest Animation Promotion Society has $500 scholarship for full-time college students majoring in Japanese language and literature!
Given the increasingly global presence of anime/manga, especially in America, I had to ask week 10’s guest Beryl Turner—the head of ACEN, anime/manga aficionado and historian extraordinaire—whether he sees anime and manga in America losing its Japanese connection and become totally subsumed into mainstream American pop culture. His answer? Absolutely. According to Beryl Turner anime and manga will be a prototype for what globalization is touted to do in the best sense—create a sort of world citizenry. He believes that manga and anime as an art form will eventually lose its nationality, and I am inclined to agree. The one issue, however, is the nature of anime/manga fans in America in the past and at present. Even Beryl acknowledged, giving this breakdown of the road map to mainstream status—innovation/discovery, dissemination through the underground as a fringe movement, (re)discovery and tentative investment from Big Business and the explosion—that anime and manga has its roots in the underground. Furthermore, considering that anime/manga fans while extremely inclusive of fans of other genres such as science fiction, still refer to the collective other as “mundanes.” It is hard to see this group of people forgetting the history behind their beloved art form.
I suppose then, that the key to transforming anime/manga into a global commodity sans national boundaries, lies in the unwitting masses who never touch the underground and never make it to a convention like ACEN, those who flip to Cartoon Network and get their first glimpse of Bleach, then head to a bookstore like Barnes and Nobles or Borders and pick up a copy of the manga along with a title by an American author and never bother to dig further. Is this positive? Negative? I can’t say. I am all for the more prevalent exposure of anime and manga in the West and around the world, but then I am also one of those people who likes to stick to the facts, and for me one of the facts here is that manga is Japanese. Still, I would hate to see an authenticity debate rear its head in this quarter. Maybe I should say manga was Japanese, but today and in the future it can and will go in whatever direction its progressively more global fans pull.
Today’s discussion with Addie and Beryl was pretty interesting, and brought to light a number of things that I wouldn’t have guessed. For instance, that all of the staff and volunteers at ACen, including those who would probably be considered “higher-ups”, were unpaid volunteers; Anime Central, then, is most definitely a labor of love (or obsession/addiction, haha. But I like to think of it as love. ^^). Though I think that the only difference in atmosphere that I felt at ACen vs. Anime Expo, a commercially sponsored Con, was mainly in the dealers room, where there would be HUGE booths for each sponsoring company, as well as the number of panels on “what’s coming up for [company name] in anime” type things, as well as a larger number of advertisements in general (programming booklet etc.). However, the fan interaction, I found is this pretty much the same, which is somewhat reassuring (of the fact that an increased sense of commercialism in the exhibit hall does not equal a different kind of fan-base.)
I really enjoyed talking to Beryl today. He was a fun person to talk to and it was awesome to get a behind the scenes look at the con. Addie was awesome, too, and his artwork was great.
It was funny when someone asked Beryl if he considered himself an otaku, he responded with a “DAMN STRAIGHT!” It really reinforced the idea that in America, cons and otaku are all about community. I could really sense a strong sense of community at ACEN.
I had no idea ACEN could draw around 12,000~14,000 people. That number is INSANE. It really put things into perspective about the popularity of manga and anime today. It was also interesting that Beryl mentioned how science fiction cons that have existed for over 10 years cannot match the attendance rate at ACEN. To be fair, I think a lot more young people are into manga/anime than science fiction today, which could be a reason for their mass appeal.
All in all, Beryl’s visit was fun and he was really friendly. ACEN was lucky to have him as the chairperson this year!
Beryl the ACen Chairman and his artist friend visited us today in class. Beryl was a very enthusiastic guest to have! It was great to see how much he and his colleague were both very excited about talking to us about Acen. It was interesting to hear about what went on behind the scenes. I’m so suprised that they do everything as volunteers. That is some dedication. I thought that maybe some of the higher level staff actually ran the Acen as their full time job, but I guess I was wrong. It’s amazing that such a huge (12,000+!) convention can be run by purely volunteers. That shows how much passion and devotion these fans have for anime/manga/games. I think it’s a great philosophy that they stick to, run by fans, for fans!
They showed us interesting pictures from ACen and Beryl told us many funny stories from past Acen’s. His story about how he had to sit on the shoplifter was really interesting. It was also amazing that his cosplay costume was one too realistic (it had weapons) so the police/security had to come and tell them to disarm themselves!
Wow, Got Soap? That is an amazing campaign. It is odd that they must remind people to shower everyday! Nevertheless it’s very creative. I really liked the way Beryl defined Acen. He stated that Acen will always be “a celebration of culture”. I really think it’s great to bring a mix diverse group of people to one place to celebrate their appreciation for culture. I also was really intrigued by the word “mundane” that anime fans use to describe people like us, that are not part of that world. It is really suprising that J.K. Rowling got the inspiration of “muggles” for her Harry Potter books from overhearing the word Mundane. I guess anime is an inspiration for many different media. It is also interesting that they are branching out to Jpop, and trying to attract various kinds of people that all have some type of Japanese pop culture to share. I enjoyed today’s class, and their special visit. I really thought the artist’s Chibbie Chubbies(sp?) was super cute! However I still felt a bit overwhelmed whenever Beryl and his friend started talking about specific anime series. I guess that’s just somethin I will not understand until I myself start reading anime as Beryl suggested.
Thank you for coming to our class !
- Miho